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No Reposts or Overposted/Favorites List Songs "Where is the line between biting and paying homage drawn?") If you are seeking the answer to a question about the name of a song, the source of a sample, the status of a project, the meaning of a line/song, the appeal of an artist, etc., ask in one of the recurring threads. The only exceptions are for appropriate threads (e.g. Do not post questions or requests outside of the Daily Discussion, Music Recommendations or Sunday General Discussion threads.Users who are found to regularly start/engage in flame wars or harass other users may be banned at moderator discretion. will be removed and may result in a permanent ban at the moderator's discretion. Additionally, comments deemed overtly racist, sexist, homophobic, transphobic, etc. Unwelcome content and prohibited behavior as defined by Reddit is never allowed.No Unwelcome Content or Prohibited Behavior Please read the Guidelines/FAQ before posting! Favorites/Do Not Post Listĭo not post songs from projects or collections listed on the Overposted/Favorites/Do Not Post List. The latest music, videos & news relating to your favorite hip-hop, R&B & future beats artists. Grabmusik (K 42) Edith Wiens (soprano) Thomas Hampson (bass) Concentus Vocalis Wiener Akademie/ Martin Haselbock Church Sonatas in F (K 244) and in C (K 329)ġ9:00-21:00 Alfred Brendel introduces his Wigmore Hall recital for this Mozart year.Welcome to /r/HipHopHeads! /r/Hiphopheads COVID-19 Donations Thread Eine kleine Nachtmusik (K 525) NHK SO/ Wolfgang Sawallisch (by kind permission of NHK, Tokyo) Piano Concerto No 22 in E flat (K 482) Annie Fischer (piano) Philharmonia Orchestra/ Wolfgang Sawallischġ8:15 Mozart and the Church Today Marin Haselbock, conductor and organist in Vienna, talks about the place of Mozart's music in present liturgy. Dresden Staatskapelle conductor Karl Bohm Madame Herz RERI GRIST (soprano) Mademoiselle Silberklang ARLEEN AUGER (soprano) Monsieur Vogelsang PETER SCHREIER (tenor) KURT MOLL (bass)ġ7:15 A Conductor's View Wolfgang Sawallisch talks to Peter Paul Nash about conducting familiar repertoire and the 'long line' which is so essential in Mozart. Recordsġ6:45 The Impresario (Der Schauspieldirektor) Mozart's one-act comic opera.
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Quartet in F (K 590) Salomon Quartet Rondo in D (K 382) Malcolm Bilson (piano) English Baroque Soloists/ John Eliot Gardiner Recordsġ6:00 The Concert Aria Paul Hamburger and Peter Paul Nash look back over the recordings of Mozart's separate arias and trace the path to the modern performing style. Producer Peter Tannerġ4:45 Mozart on Period Instruments Peter Paul Nash is joined in the studio by members of the Salomon Quartet.
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Sir John Pritchard on Mozart's Symphony No 40, then conducting it with the BBC Symphony Orchestra.ġ2:30 The Piano and Wind Quintet in E Flat (K 452) The essay on this piece by Sir Donald Tovey is a classic discussion of what genius is: it is read by Nicholas Anderson and followed by a performance by the Haffner Wind Ensemble: Joy Farrall (clarinet) Nicholas Daniel (oboe) Julie Andrews (bassoon) Stephen Bell (horn) Angela Hewitt (piano).ġ4:00 Don Giovanni: A Singer's View Thomas Allen discusses the role of Mozart's libertine with Rodney Milnes. Mozart Overture: Don Giovanni London Philharmonic Orchestra/ Thomas Beecham Mozart Piano Concerto No 23 in A (K 488) Artur Rubinstein (piano) RCA Victor SO/ Alfred Wellenstein. Producers Jane Walker and Philip Tagneyġ1:00 Views from the BBC Archives Sir Thomas Beecham, in a speech to the Library of Congress in 1956. 10:15 Music Weekly Peter Paul Nash begins the day exploring Mozart's own views on performance, and the circumstances surrounding his music during the century after his death.